For anyone who has spent years renting, confronted by the same landlord-approved beige walls and longing for adding some actual personality to their home, Pantone's new Colour of the Year might feel like a disappointing choice.
This year, the influential color company has chosen a shade of white as its flagship hue.
More specifically, the shade is called Cloud Dancer – a white touted as "lofty" and "billowy" which "serves as a symbol of calming influence in a society re-evaluating the worth of introspection".
It marks the initial instance white has been chosen as the Colour of the Year, and it has sparked considerable debate.
As stated by Pantone, Cloud Dancer "represents more than a hue, it's a state of being" and reflects a widespread urge to decelerate, reset and find calm after years of visual overload.
But some commentators have dubbed the decision as "Pantonedeaf", contending that promoting minimalist and immaculate white spaces can feel distant from the more compact, lived-in homes everyday individuals inhabit.
Others argue that framing white as aspirational risks racial undertones, causing discomfort amid current societal discussions about race and representation.
Designer Chris Beaumont says the criticism goes beyond surface appeal, arguing that white carries deeper meanings and is rarely a neutral choice.
"The color white sends a message," he says, shaped by a decade of sparse star homes – most notably Kim Kardashian's stripped-back home – that came to symbolize "wealth, order and removal from chaos".
He clarifies that white is "not about inspiration but being careful not to cause upset", with Cloud Dancer embodying "austerity, moral minimalism and the notion that impartiality denotes goodness".
Beaumont cites the global health crisis as a pivotal moment in how people perceive their homes.
"Overnight they transformed into our offices, refuges and sources of stability," he says, stating that in this context, directing the Colour of the Year towards "more visual emptiness feels rather disconnected".
Instead of providing calm, he contends white now risks intensifying "a feeling of desolation", especially when combined with harsh, sterile lighting.
An interior designer, a Surrey based interior designer, agrees and says Cloud Dancer "is not perceived as a colour" and is "firmly in the bin for me".
Although it may suit highly minimal or architectural spaces, she says pure white shades seldom foster calm in everyday living spaces.
"What looks serene in a styled shoot can readily seem clinical at home," she explains.
"The color white may seem harsh and unforgiving and you wouldn't wish your home to give clinical feelings."
She adds that "living spaces should spark joy and be inviting and welcoming, and this hue seems quite removed from that."
Beaumont expresses a desire that homeowners will reject the Pantone Colour of the Year in preference for "full-scale dopamine décor", using vibrant hues to express individuality.
A representative of the Pantone Colour Institute stated that people "have varied interpretations" to the meaning of the colour, but it was selected as it "works seamlessly with everything around it, providing a refined neutrality that feels deliberate and adaptable".
Since its launch in 2000, Pantone's Colour of the Year has evolved into a significant industry signal.
Previous selections have included the optimism of a vibrant pink-orange, the serene assurance of Classic Blue, the vibrancy of a bold pink-red, and more recently softer, emotionally driven tones like Peach Fuzz.
These hues extend beyond trend forecasts - they appear in fashion collections, cosmetic products, home decor, product wrapping and even consumer electronics, influencing how products are marketed and how consumers envision the coming year.
Victoria Robinson, says Cloud Dancer is a "elegant choice" and while it may appear basic, "this specific hue feels soft and elegant rather than severe".
In contrast to those who say the colour is dull, Robinson sees it as "adaptable" and says it's best used in "sleeping quarters and living areas where you want a peaceful, calming ambiance".
"Even if you prefer not to repaint, you can introduce the colour into a room with cushions, throws and drapes."
Design expert Another professional says although he was taken aback that Pantone's selection this year was "essentially the absence of colour", it is a bit like vanilla ice cream, in that "everyone likes it but it's nobody's favourite".
He can see its merits, explaining that white can work particularly well as a backdrop for architectural details like panelling and curved entries which is a "growing trend in modern homes".
In apparel, white has long been a staple rather than a statement and as a Colour of the Year it presents a different challenge to designers more familiar with bold shades.
Luxury stylist Oriona Robb says championing white feels "not focused on newness and more about intention", reflecting a movement towards sophistication after years of trend overloads.
"The color white compels designers and those who wear it alike to concentrate on shape, proportion and craftsmanship, there's really nowhere to hide," she explains.
But she adds that it also holds presumptions around self-image, lifestyle and advantage, saying: "If white is treated as something only a narrow group of people can wear well, it becomes divisive."
She says the industry is already aware of the problematic connotations tied to celebrating white as an aspirational standard, especially amid ongoing discussions about representation and approachability, and the real test will be whether "brands address that complexity authentically, or simply glamorize the colour".
Stylist Another expert admits the choice initially shocked her, considering Pantone's history of vibrant hues, but says it mirrors a authentic change and aligns with a broader sentiment of "quiet luxury
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